the Bohemian by the sea

does it matter that you can feel the warmth of the sunlight on your shoulders, the salty sea breeze in your hair, and at the same time, see the storm clouds up ahead?

does it matter that the sea holds immense sadness in its depths, and yet at the same time reflects the joy of the sun in the glinting rhythm of waves?

do these things matter? do they have a place in business? in finance? amongst skyscrapers? alongside ships that carry cargo from one place to the next?

can someone say that it is okay to honor the new and mourn the lost all in the same moment? all in the same day. can someone shout this from the rooftops and whisper it in the shadows? instead of this. this silence. this, unspoken name. this covering up with words of new.

can someone tell the masses, “it is okay to not be okay on this day.” or even the next.

it is o.k.

it is okay.

it is ok to not live in the binary. in the ‘either or’ but to let things co-exist, mash, intertwine. mix.

binary is not how it always is anyways.

it’s not how it ever was.

[daily occurrence] sun, come out to see

blue pencil shaving sky, white crayon shaving clouds, the sun like a harvest moon

a paint brush of rose petals dipped into the calligraphy of the sea

metallic ripples of lulla-byes in baby elephant pinks, chalky blueberry blues

little boats that wave goodbye

stillness of heart, calmness of soul

a peace with the cadence of a breath

come again to-morrow where we will say

good morrow